By Shimrit Lee

The idealized Western museum, as typified by the Metropolitan Museum of Art, the British Museum, and the Museum of Natural History, has remained much the same for over a century: a rarified space of cool stone, providing an experience of leisure and education for the general public while carefully preserving fragile artifacts from distant lands. As questions about representation and ethics have increasingly arisen, these institutions have proclaimed their interest in diversity and responsible conservation, asserting both their adaptability and their immovably essential role in a flourishing society.

With Decolonize Museums, Shimrit Lee punctures this fantasy, tracing the colonial origins of the concept of the museum. White Europeans’ atrocities were reimagined through narratives of benign curiosity and abundant respect for the occupied or annihilated culture, and these racist narratives, Lee argues, remain integral to the authority—and even the aesthetics—of the contemporary museum.

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